Naples 1931, and the beautiful Duchess of Camparino has been found dead of a gunshot wound…or was she smothered? It is up to the solitary Commissario Riccardi and his partner Brigadier Maione, to solve the crime while dealing with their own personal issues.
First Sentence – ‘The angel of death made its way through the fiesta, and nobody noticed’. There is nothing better than an opening which is both compelling and evocative. What is particularly clever is that throughout the story, we have the diary entries of a nameless character. Just when we think we’ve identified the writer; another hint is dropped and we are sent off in a different direction.
The cast of characters is extensive, yet each character is fully developed and distinct. None are perfect. The most intriguing is Riccardi, who has the gift, or curse, of “the Deed”; the ability to see those who have died by violence—accidents, murder, or suicide—in the last few second of their lives and to hear their final words or thoughts. This ability isolates him from all but a few people. At his side, and ever loyal, is Maione who is married with 5
children, Doctor Modo the medical examiner and Rosa, Riccardi’s childhood nanny who still looks after him.
While the story structure is typical police procedural, it is so much more than that. It is a character-driven novel which is very much about relationships; love, insecurities, passions, and the acts to which one can be driven by love and desperation. The author meshes the characters with the story so skilfully; we feel part of the community.
Yes, the translation can feel awkward at times, particularly the dialogue, but that is easily
forgiven. The quality and complexity of the story overcome any other shortcomings.
“Everyone In Their Place” is a story of passion and human weakness which was highly recommended by our group of readers, many having gone on to read other titles in the series.